Fun, Uncategorized

Beginner Regency Sewing: An Ode to Miss Steele

’Good gracious! I have had such a time of it! I never saw Lucy in such a rage in my life. She vowed at first she would never trim me up a new bonnet, nor do any thing else for me again, so long as she lived; but now she is quite come to, and we are as good friends as ever. Look, she made me this bow to my hat, and put in the feather last night. There now, you are going to laugh at me too. But why should not I wear pink ribbons? I do not care if it is the Doctor’s favourite colour. I am sure, for my part, I should never have known he did like it better than any other colour, if he had not happened to say so. My cousins have been so plaguing me!– I declare sometimes I do not know which way to look before them.’

She had wandered away to a subject on which Elinor had nothing to say, and therefore soon judged it expedient to find her way back again to the first.”  Sense and Sensibility, p. 272 Oxford U. 3rd Edition

Poor Miss Steele is vulgar, unmarried at 30, and left broke by Lucy.  She only wants someone to kid with her about the Doctor and to have the warmest seat by the fire.  She does not get much love in Sense and Sensibility, but it is through her good offices that the truth about Edward and Lucy comes out, so that Edward can be disinherited and Lucy can release him from her grasp.  I think we all have a little bit of Miss Steele in us.  I, for one, love pink ribbons.  This sewing project, which I created for our Spring Tea, was my homage to Miss Steele’s joy in pink ribbons.  I used a sewing machine for most of the sewing and I also used a shirt for the top of the over-dress, so this is beginner-level Regency sewing.

Note: the pictures of the sewing in progress were taken by me.  The pictures from the Spring tea were taken by Jane Provinsal.

The Over-Dress

To create the over-dress, I used a short-sleeve white cotton shirt I had with ruffles sewn onto the top in a diagonal pattern.  The bottom of the dress was made out of some white shirting fabric that I found at a second-hand store with a pink window-pane pattern with a pink medallion in some of the squares.  It was rather sheer, but had good body.  I cut the bottom using my trusty Simplicity #4055 (Sense and Sensibility) pattern, putting the front panel on the selvedges instead of the fold to create a front opening.  I cut the length a little shorter than full-length, but longer than the overlay pattern that comes with View A of the Simplicity pattern. 

For my under-dress, I have a sleeveless full-length lined silk petticoat with a drawstring neckline that I had already made for a previous outfit.  Both the top and the bottom of the over-dress had to be gathered some—the top just a little bit and the bottom quite a bit to create the gathered back.  I sewed the bottom sides together and pressed the seams open, then sewed a small hem along the front opening and the bottom (using the sewing machine).  I basted the back as instructed in the pattern to create gathers and then pinned the right side of the shirt to the right side of the bottom of the dress, gathering the shirt slightly below the bust.  I basted the shirt and bottom together before cutting off the lower part of the shirt to make sure that the fit was correct. 

The bottom of the blouse and the wrong side of the bottom of the over-dress

Once I was sure that the size was correct, I trimmed the lower part of the shirt and then used the sewing machine to sew the basted high waist.  To give the high waist seam some reinforcement, I covered over the raw edges with the seam allowance of the cotton shirt (which I left a little longer) and then sewed that down to the top through all layers about ¼” from the waist seam.  I made belt loops out of the pink ribbon I was using for the belt (hand sewn after folding in thirds) and then basted and sewed them on the seam of the bottom of the dress and straight up on the shirt.  The dress was a little large around the empire waist, but cinched nicely with the ribbon belt (1 ½” grosgrain ribbon).  I left the plastic buttons on the top because I was not able to find anything more authentic looking that was small enough for the button loops.

Me in the dress and cap with Pamela Aidan, our speaker at the Spring Tea

The Drawstring Mob Cap

I really liked the lace that was at the bottom of the shirt that I was cutting up, so I thought I might be able to preserve it by incorporating it into a mob cap with a pink ribbon behind it. When I cut the bottom half of the shirt off, I trimmed it close to the lace and sewed the front two sides of the shirt together, creating a circular band.  I pinned the right side of the band onto the right side of a round piece of cotton (leftover lining material from the petticoat), leaving about an inch and a quarter around so that I could create the space for the ribbon.  After sewing the ruffle and making sure that I was at the very edge of the lace, I flipped it out and then sewed around on the inside of the cap, creating about a 7/8” channel for the 5/8” ribbon.  I cut the seam in the center of the lace in the channel so that the ribbon would be at the center of the cap when threaded.  Once I made sure the ribbon worked (threading it with a safety pin), I tacked the ruffle into the inside of the cap, over the seam allowance, so that the ruffle was not too big and had a little puffiness.  The cap itself was not very large due to making it the size of the ruffle band, but for a first attempt, I think it came out well.

The Shawl

The shawl was created using a purchased Ralph Lauren Home white viscose/cotton bed throw (found on clearance!) that had 8” fringe and measured about 70” by 50”.  I cut the throw about 21” from the long side so that it would sew to a 20” by 70” shawl (plus the fringe).  I took the fringe off of the cut side where I was going to turn it in (it had a double thickness) and sewed it on the long edge, as close to the edge as I could get it.  The hardest part about sewing the shawl was making the side even, since the inside of the fabric was slippery.  I was glad I had my shawl the day of the tea because the weather was cool.

None of these projects took great sewing skills.  I especially liked the ease of using a blouse for the top of the over-dress.  Other than using the Simplicity pattern for the bottom of the over-dress, I eye-balled the other measurements, such as when creating the mob cap.  Basting before cutting really helps.  It was fun to create a full outfit for the Spring Tea (although I did not have time to make a reticule).  Several other members came in outfits that they had sewn too.  You can see more pictures in https://jasnaewanid.org/photos-of-past-events/. Wishing you happy sewing! Michele

Back view of the cap, shawl, and dress. I was watching Pamela Aidan speak at the tea.
Uncategorized

Using Vintage Handkerchiefs to Decorate a Reticule

Using Vintage Handkerchiefs to Decorate a Reticule by Michele Larrow

I have several vintage handkerchiefs that have lovely lace on them.  I wanted to use a couple of them in making a reticule to go with my gown for the ball at the JASNA Annual General Meeting in September.  The gown is of a cranberry-color cotton and the over-dress is a blush-color dupioni silk.  I had one handkerchief that had roses embroidered on a corner and I thought that would be perfect for a reticule as a center applique.  I had another linen handkerchief with crocheted lace (cotton, I think) for a nice lace border decoration.  I planned to use the blush color silk for the body of the bag.

dressbag

  1. My first step was to find some inspiration online for reticules. I found a great Pinterest page on “Regency Bags and Reticules”  https://www.pinterest.com/CeruleanHMC/regency-bags-and-reticules-1795-1830/  that had many wonderful period examples.  There was one bag especially that caught my eye from the Museum of Fine Arts in Boston because it had roses, had a drawstring, and was made out of silk.  It was also about the size that mine ended up being.  Although it was painted instead of embroidery, it was good inspiration for me.

reticule MFA

Reticule MFA:  https://www.mfa.org/collections/object/bag-115924

 

  1. I started by creating the center applique of the roses. The cotton of the handkerchief was quite sheer, so I backed it with the cranberry color of my gown, using the sturdy cotton that was used for the lining.  I first pinned the handkerchief over the cotton backing measuring so that the embroidery would be centered.  After I pinned it and cut a rough oval bigger than I needed, I folded over the edges and basted the two fabrics together, making sure to keep the piece even and centered all around.  Next, I took the lace from another handkerchief and pinned it to the back around the edge of the oval, trying to get it as even as possible.  I basted the lace onto the oval applique, leaving some of the linen from the handkerchief to secure the layers on the back.  When I got to the lace on the corner of the handkerchief, I had to cut the linen close to the lace to get it to lay as straight as possible, but I was able to complete the full oval with two sides of the handkerchief.

centerapplique

  1. Once the applique was basted, I decided on the dimensions of the reticule based on the size of the center applique. I wanted to have about one and a half to two inches of the silk on the sides and bottom (which I made round to echo the oval applique) and I left more space at the top of the fabric for the drawstring.  I ended up with finished dimensions of about 8.5 inches by 12 inches, including the top border.  The pattern that I created for the silk was about 9.5 by 12 because the border at the top was a different color.  Once the silk was cut for the bag, I basted the oval applique on the right side of the fabric toward the bottom with even margins for sides and bottom.  After it was basted, I machine-stitched it twice right around the perimeter of the applique, through the layers of the applique and the linen that holds the lace border.

 

  1. On the other side of the silk fabric I basted the lace for the bottom of the bag on the right side of the fabric, pointing the lace toward the top of the bag and sewing along the linen border that was left from the handkerchief. I had to hand-sew two pieces of lace together to make a lace piece that was long enough because I had to cut out some stains from the lace border on the old handkerchief.   I made sure to tack down the lace at the sides so that it would not get caught in the side seams when the bag was stitched together (see drawing).  I basted the two bottoms sides together to be sure the lace was positioned correctly and then I sewed the sides and the bottom of the bag and turned it right side out.  The bottom lace is not perfectly aligned, but pretty close.

 

  1. I made a lining of the same sturdy cotton fabric that was used for the applique, using the same dimensions as for the bag. I sewed the sides of the lining, but left the bottom open for hand-sewing after the lining was sewn to the bag.  I also created a small band at the top of the bag of the fabric of my gown, which is a looser weave (as wide as the lining and about 3 inches long).  I sewed the sides of the border and attached it to the bag and the lining, pinning right sides together and matching side seams.  Once the lining was complete, I turned the bag right side out and then hand-sewed the bottom of the lining closed using a slip stitch.  I put the lining inside the bag and made the border even at the top. Next, I sewed two lines around the bag near the top border to create the pocket for the drawstrings, leaving about 5/8-3/4 inch for the drawstrings to move freely.  I opened the seams on the outside of the bag in the pocket for the drawstring.  The drawstrings were created by folding a one-inch wide ribbon in thirds and then sewing down the middle.  One drawstring came out on one side of the bag and the other on the other side, so that it is easy to cinch and open the bag.  I threaded the drawstrings through using a safety pin to push them through and it required a little maneuvering to get the drawstrings out on each side.  Once they were out I made them even and knotted the ends, hand sewing the end of the ribbon to keep it from unraveling.

reticule

  1. Once the bag was completed, I realized that I had to tack down the lace around the central applique because it flopped over the top when it was held upright. After doing that, the bag is ready to go.  The finished dimensions of the bag are 8.5 inches by 12 inches, the perfect size for my Emma and other necessities.bagEmmacrop.JPG