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Jane Austen’s Proposals

Michele Larrow, Regional Co-Coordinator

In Letter 6 of Love and Freindship, a teenage Jane Austen writes a short proposal scene between Edward and Laura, who have just met:

. . . ‘and now, my Adorable Laura (continued he, taking my Hand) when may I hope to receive that reward of all the painfull sufferings I have undergone during the course of my Attachment to you, to which I have ever aspired? Oh! when will you reward me with Yourself?’

‘This instant, Dear and Amiable Edward.’ (replied I.). We were immediately united by my Father, who tho’ he had never taken orders had been bred to the Church.”

Love and Freindship, 1790 p. 109

This might be the only example Jane Austen wrote of a proposal scene with the dialogue of both the hero and the heroine portrayed.  Jane Austen’s novels have many marriage proposals, but when it comes to the proposal between the hero and the heroine at the end of story, the reader is not privy to the complete dialogue.

Sarah Franz (2002) argues that rather than demonstrating the love of the couple, the real business of the proposal scene is to show that the hero is “worthy of the heroine’s love because he is aware of and acting upon his capacity to change for the better” (169).  In Pride and Prejudice, Mr. Darcy’s short second proposal to Elizabeth and the couple’s later discussion about pride and impact of the first proposal prove that he has changed and now fully appreciates Elizabeth (169-173).  In Persuasion, Wentworth’s letter is an “indirect, because written, but serious declaration of love” and he and Anne have discussions where he admits to his mistakes about how he treated Louisa and his awareness that his feelings prevented an earlier reconciliation (174).  Although Franz sees Mr. Knightley as generally morally correct, “his love for Emma is exactly the moral realization that he has to make during the course of the novel” and then be able to correct his unfair evaluation of Frank Churchill’s character, which she sees as Mr. Knightley’s main moral flaw (180-2). I think that Mr. Knightley’s moral change involves recognizing that he has sought to direct Emma’s behavior, that she is her own moral agent, and that he needs to treat her with sympathetic understanding and kindness (Larrow).  Mr. Knightley is shown pouring forth his love for Emma in the proposal scene to demonstrate how much he has changed.

If we use Franz’s focus on the hero’s moral growth rather than love in the proposal, it might be easier to understand why we don’t have much representation of the final proposal scene in Northanger Abbey, Sense and Sensibility, and Mansfield Park.  In both Northanger Abbey and Sense and Sensibility, the hero’s moral growth is shown in his ability to stand-up to his tyrannical parent to marry a woman each man feels honor-bound to.  In Mansfield Park, Edmund has always been kind and appreciative of Fanny and his moral growth centers around realizing his misperceptions of the Crawfords.  Although we don’t see the proposal in these novels, we do see the hero and heroine discuss the change the hero made to act morally.

Our region will be discussing the proposals in the novels at two events:  1. Spokane In-Person Discussion Saturday, February 4, 2023 2. Virtual Meeting Sunday, February 19, 2023.  Full details and registration forms are on our events page  We have some discussion questions below to get you ready for the meetings.


Austen, Jane. Juvenilia. Ed. Peter Sabor. Cambridge: CUP, 2006.

Frantz, Sarah S. G. “‘If I loved you less, I might be able to talk about it more’: Direct Dialogue and Education in the Proposal Scenes.” The Talk in Jane Austen. Eds. Bruce Stovel and Lynn Weinlos Gregg. Edmonton: U. of Alberta Press, 2002. 167-182.

Larrow, Michele. ““Could He Even Have Seen into Her Heart”: Mr. Knightley’s Development of Sympathy.” Persuasions On-Line 37.1 (2016).

Discussion Questions

In Pride and Prejudice, do you see any parallels between Mr. Collins’s proposal to Elizabeth and Darcy’s first proposal?  Does Elizabeth make similar claims for herself in each proposal?  Do you think after the second proposal Darcy is shown as changed to the degree he needed to change? 

In Mansfield Park, Henry Crawford’s proposal to Fanny is fragmentary, reflecting her confusion about what is going on.  Could Henry ever have won Fanny?  How would he have to change?  Although we don’t get Edmund’s proposal to Fanny, has he changed enough for them to be happy?

In Emma, Mr. Knightley’s proposal to Emma shows both his language and some non-verbal aspects and behaviors that show his emotion.  How does that contrast with Emma’s prior interpretation of Mr. Elton’s proposal?  We know Emma has realized her love for Mr. Knightley, so do we need to hear her say it to him?

Are you a fan of Captain Wentworth’s letter in Persuasion?  Do you think there is anything missing from the letter?  There are hints from Austen that Captain Wentworth and Anne know each other better and are better people when they get engaged the second time.  What are your thoughts?

In Sense and Sensibility, the narrator tells us of Elinor’s strong emotion on hearing that Edward is not married to Lucy and then doesn’t show the proposal scene.  Does that choice make sense?  Do you feel disappointed that Colonel Brandon and Marianne wait two years to marry and there is no proposal scene? 

In Northanger Abbey, what are your thoughts about John Thorpe’s awkward semi-proposal and Catherine’s response to it?  Are you disappointed that we don’t hear Henry Tilney say he loves Catherine?

Do you have a favorite proposal scene from one of the movie/tv adaptations of the novels?

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Mr. Darcy’s Fruit

Michele Larrow, Regional Co-Coordinator

The next variation which their visit afforded was produced by the entrance of the servants with cold meat, cake, and a variety of all the finest fruits in season; but this did not take place till after many a significant look and smile from Mrs. Annesley to Miss Darcy had been given, to remind her of her post.  There was now employment for the whole party; for though they could not all talk, they could all eat; and the beautiful pyramids of grapes, nectarines, and peaches, soon collected them round the table. . . . Mrs. Gardiner and Elizabeth talked of all that had occurred, during their visit, as they returned, except what had particularly interested them both.  The looks and behaviour of every body they had seen were discussed, except the person who had mostly engaged their attention.  They talked of his sister, his friends, his house, his fruit, of everything but himself; yet Elizabeth was longing to know what Mrs. Gardiner thought of him, and Mrs. Gardiner would have been highly gratified by her niece’s beginning the subject.”

Pride and Prejudice, 309, 312

In Pride and Prejudice, late July and early August are the time of year when the Gardiners and Elizabeth Bennet traveled to Derbyshire and visit Pemberley.  Using textual cues and working backward from Mrs. Gardiner’s letter to Elizabeth dated September 6, Chapman (400-405) convincingly argues that the first trip to Pemberley takes place on August 4 and that Elizabeth and Mrs. Gardiner go back to visit Geogiana on August 6.  During that visit, they are served “beautiful pyramids of grapes, nectarines, and peaches,” (P&P Spacks Ed. 309) in “generous hospitality” (Spacks, note 6, 309).  The purpose of this article is to explore the cultivation of these fruits during the Regency and what the fruit tells us about Pemberley.  For illustrations of the fruit, we will turn to George Brookshaw’s amazing prints in Pomona Britannica (1812).[i]  As always in Austen, the minor details reveal much, especially when we understand the context that a contemporary reader would know.

When Mr. and Mrs. Gardiner and Elizabeth tour Pemberley outside, they are shown the park by the gardener.  They see the river, the woods, hills, and walks.  They are not shown any gardens.  Nor are gardens mentioned when Elizabeth looks out of the windows in various rooms in Pemberley.  The focus is all on the woods, hills, and “the disposition of the ground” (285).  As Spacks notes, all the views of Pemberley correspond to the picturesque (note 4, 283 and note 11, 285).  Austen would have counted on her contemporary readers to know what would have gone into the gardens of Pemberley and there is no need to tell them.  However, the fruit that is served at Elizabeth and Mrs. Gardiner’s visit gives us a clue of the wealth behind the gardens.

Grapes, Nectarines, and Peaches in the Regency Garden

The grapes, nectarines, and peaches at Pemberley are described as “the finest fruits in season”. Spacks in her annotations to Pride and Prejudice note that these fruits must be grown in hothouses (note 8, 309).  If we consult Thomas Mawe and John Abercrombie’s The Universal Gardener and Botanist, a 1778 gardening book that we know was in Jane Austen’s brother Edward Austen Knight’s Godmersham library in the 1818 catalogue (,  peaches and nectarines are described as growing best on south-facing garden walls because they need extra heat, with some maturing in late July and August.  James McPhail in a Gardener’s Remembrancer (1807) argues that peaches can only be grown against walls in the southern counties of England and that northern counties need to use glassed houses with extra heat (123-5). McPhails gardens have forcing-houses devoted to peaches and nectarines, called Peach Houses.  Mawe and Abercrombie note that grapes can sometimes be grown against walls but often need heat and protection of glass and usually are in season in September through November.  McPhail wrote that in England grapes need glass to do well above 50degrees latitude.  Thus, since Pemberley is in Derbyshire, the peaches and nectarines would have to be grown in forcing-houses yet are in season in August, and grapes are early for the season in August and certainly grown either in a forcing-house or hot-house.

James McPhail, the head gardener to the Earl of Liverpool at Addiscombe Place in Surrey, details the types of structures that would have been used for growing a variety of fruits and vegetables on a large estate like Pemberley.  Hot-houses were large buildings (80’ long X 16’ wide X 12’ high in back) built to use the heat from the sun, heat from stoves, and heat from pits with fermenting dung and/or tan bark to keep plants at the best temperatures for ripening tropical fruit.  Hot-houses would be kept at high temperatures (often 90s during the day) and were used for plants such as pineapples, some grapes, and French beans, as well as other exotics.  Forcing-houses would produce fruit about two months earlier than fruit grown outdoors, for tree fruits that have a natural year growth cycle.  They were kept at cooler temperatures than hot-houses, but still needed fires to get temperatures into the 70s, for example in March to get peaches ripe for May.  Forcing-houses were used for fruit such as peaches, nectarines, some kinds of grapes, cherries, strawberries, figs, apricots, and flowers such as roses.  According to McPhail, the forcing-houses produce the best fruit when they are dedicated to a specific plant, such as a peach house, a grape house, and a cherry house. He describes his peach house as measuring 64’ long X 10’ wide X 8’ high in the back for 8 trees. Forcing-frames were smaller structures for low-growing plants such as melons, asparagus, herbs, potatoes, and cucumbers and often had heat by fermentation of dung and leaves to produce the fruits and vegetables (187-189).  Green-houses usually did not have fires unless the weather was very cold (180) and would be used to grow plants such as lemon, oranges, myrtles, succulents, and many flowers.  Green-houses could be used to grow seeds and cuttings also.  Because hot-houses, forcing-houses, and green-houses use a lot of glass, they are expensive to build.  The cost of fuel to maintain them is another expense, so having hot-houses and forcing-houses is one sign of Mr. Darcy’s wealth.

In addition to the structures described above, the gardens would include outdoor spaces for plants, sometimes protected by walls.  The fruit-garden consisted of those fruits that could be grown outside against walls (for warmth) or in orchards, such as apples, pears, plums, cherries, gooseberries, currants, strawberries, and raspberries (193-197).  The kitchen garden would be planted with vegetables and herbs that could grow within the season, often staggering the planting times to produce the food over the longest space of time.  The pleasure or flower garden contains walks with lawn, flowering shrubs, evergreen shrubs, and many kinds of flowers in borders.  We can imagine Elizabeth enjoying these spaces once she becomes mistress of Pemeberley.

McPhail’s book goes through each month of the year and details all the work that must be done in each of the garden sections and growing houses.  Pemberley must have employed many people in the garden to accomplish the production of food year-round.  By choosing fruits such as peaches, nectarines, and grapes, which require so much effort and cost to raise, Austen highlights the great garden at work, hidden behind Pemberley.

[i] See the previous blog for a discussion of the original 1812 George Brookshaw book, the reissue of the plates by Taschen in 2002, and the fruits in Emma.  The New York Public Library has digital copies of every plate available for free download.  Several of the plates were downloaded for use here (see illustration list).  The color of the digital copies of the plates was edited and enhanced to come closer to the color of the plates in the 2002 Taschen version.


1. Rare Book Division, The New York Public Library. “Red nutmeg, Hemskirk, Early Ann and French Vanguard Peaches.” The New York Public Library Digital Collections. 1812.

2. Rare Book Division, The New York Public Library. “White sweet water grape.” The New York Public Library Digital Collections. 1812.

3. Rare Book Division, The New York Public Library. “Vermash, Violette Hative, Red Roman, North scarlet, Ell rouge and the Peterborough nectarines.” The New York Public Library Digital Collections. 1812.

4. Rare Book Division, The New York Public Library. “Black muscadine (grapes).” The New York Public Library Digital Collections. 1812.

5. Rare Book Division, The New York Public Library. “Marlborough, Rumbullion, and the Double mountain peaches.” The New York Public Library Digital Collections. 1812.

Works Cited

Austen, Jane. Pride and Prejudice. Ed. Patricia Meyer Spacks. Cambridge, MA: Belknap Press/Harvard U P.

Chapman, R.W. “The chronology of Pride and Prejudice.” In Austen, J. Pride and Prejudice. Ed. R. W. Chapman, Third Edition. Oxford: Oxford U Press.

Mawe, Thomas, and Abercrombie, John. The Universal Gardener and Botanist: Or, A General Dictionary of Gardening and Botany. Exhibiting in Botanical Arrangement, According to the Linnæan System, Every Tree, Shrub, and Herbaceous Plant, that Merit Culture, Either for Use, Ornament, Or Curiosity in Every Department of Gardening … Describing the Proper Situations, Exposures, Soils, Manures, and Every Material and Utensil Requisite in the Different Garden Departments; Together with Practical Directions for Performing the Various Mechanical Operations of Gardening in General. United Kingdom, G. Robinson, 1778. (version from The Ohio State University)

McPhail, James. The Gardener’s Remembrancer Throughout the Year: Exhibiting the Newest and Most Improved Methods … Best Adapted for the Culture of Plants, and Production of Fruits, Flowers, and Esculent Vegetables … to which is Prefixed a View of Mr. Forsyth’s Treatise on Trees. United Kingdom, T. Cadell and W. Davies, 1807. (version from Oxford University)

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Pomona Britannica and Emma

Michele Larrow, Regional Co-Coordinator

In planting a new garden, the first grand object is, to consider what are the proper varieties with which the table may be supplied, and the dessert set out with the highest flavoured fruit, and from the earliest to the latest period possible.” 

George Brookshaw, quoted in Pellgrü-Gagel (2002, p. 20)

While looking for a botany book in the Washington State University library, I found George Brookshaw Pomona Britannica: The Complete Plates, a 2002 book published by Taschen that reproduces the color plates in Brookshaw’s book, originally published in 1812.  Many of the fruit mentioned by Jane Austen in her novels and letters are featured in this book in beautiful detail.  The original Pomona Britannica (1812) took almost 10 years to create through a process of copperplate engraving, aquatint, and hand-painting the 90 plates.  It was dedicated to the Prince Regent[i] and is based on fruit grown in the Royal Garden at Hampton Court and other gardens around London.  Brookshaw’s purpose was to help those who have estate gardens distinguish between the many varieties of fruits and increase the cultivation of the best fruits.  The high cost of the book (almost 60 pounds) and the complexity of the printing process, which would have limited the number of copies, meant that probably only the very wealthy would have been able to purchase copies.  The copy used to make the 2002 book belonged to Prince George’s sister, Princess Elizabeth, and followed her to Germany when she married; its current location is in the Staatliche Bücher und Kupferstichsammlung Greiz, Thüringen (State Collection of Books and Engravings, Greiz, Thuringia) in Germany.  Only 6 other complete copies are known (including three in the U.S. at the New York Public Library[ii], the Library of Congress, and Oak Spring Garden Library, Virginia.)[iii]  It is highly unlikely that Jane Austen knew of this publication, yet the color plates give a vibrant representation of the fruits that would have been in estate gardens during the Regency era.

Pomona Britannica and Strawberry Picking at Donwell Abbey

Mrs. Elton, in all her apparatus of happiness, her large bonnet and her basket, was very ready to lead the way in gathering, accepting, or talking—strawberries, and only strawberries, could now be thought or spoken of.—”The best fruit in England—every body’s favourite—always wholesome.—These the finest beds and finest sorts.—Delightful to gather for one’s self—the only way of really enjoying them.—Morning decidedly the best time—never tired—every sort good—hautboy infinitely superior—no comparison—the others hardly eatable—hautboys very scarce—Chili preferred—white wood finest flavour of all—price of strawberries in London—abundance about Bristol—Maple Grove—cultivation—beds when to be renewed—gardeners thinking exactly different—no general rule—gardeners never to be put out of their way—delicious fruit—only too rich to be eaten much of—inferior to cherries—currants more refreshing—only objection to gathering strawberries the stooping—glaring sun—tired to death—could bear it no longer—must go and sit in the shade.” 

Jane Austen, Emma, Vol III, Chap. 6, pp. 389-390

Mrs. Elton’s monologue when she is picking strawberries at Donwell Abbey is unique in the novels in that it names specific varieties of a fruit: Chili, hautboy, and white wood strawberries.  The Chili and hautboy strawberries are pictured in Pomona Britannica (see the fourth picture below, hautboy is top left and Chili is top right)The white wood strawberry is not pictured precisely.  There is a wood strawberry (lower left in the fifth picture below) and a white alpine strawberry (lower right in the fifth picture); the white wood strawberry would looks like a combination of the two pictures.  Unfortunately the text of the original Pomona Britannica is not available online, so I consulted Thomas Mawe and John Abercrombie’s The Universal Gardener and Botanist, a 1778 gardening book that we know was in Jane Austen’s brother Edward Austen Knight’s Godmersham library in the 1818 catalogue ( for information about the plants mentioned in Emma.  According to Mawe and Abercrombie, all of the strawberries mentioned by Mrs. Elton are varieties of the species FRAGARIA Vesca, cultivated strawberry, known for “beautiful fruit with admirable fragrance”. Hautboy (from hautbois or Musky strawberry) and Chili strawberries (named after the country Chile, where they originated) have larger fruit (Chili is the largest,) and wood strawberry has smaller fruit.  It is only the alpine berry that bears throughout summer.  All the other varieties produce fruit once in “June, July, or August”, perfect timing for Mr. Knightley’s strawberry picking party almost at midsummer!

As we know, Mrs. Elton becomes bored with strawberries and turns her attention to cherries and currants.  Cherries are another fruit with many varieties in the late 1700s and early 1800s (there are 21 varieties shown in Pomona Britannica).  Currants are related to gooseberries (both Ribes genus) but only have three main varieties: black, white, and red.  The plates for currants and one of the pages for cherries are shown below, along with Mawe and Abercrombie’s discussion of the fruits. Cultivated cherries (Prunus Cerasus) are in the same genus as plums, apricots, and laurels. Note how many varieties of cherries are listed in Mawe and Abercrombie, including the May Duke, White Heart, and Black Heart, all pictured below in Pomona Britannica.

Pomona Britannica and the Wide Variety of Apples

And when I brought out the baked apples from the closet, and hoped our friends would be so very obliging as to take some. . . . The apples themselves are the very finest sort for baking, beyond a doubt; all from Donwell—some of Mr. Knightley’s most liberal supply. He sends us a sack every year; and certainly there never was such a keeping apple anywhere as one of his trees—I believe there is two of them. My mother says the orchard was always famous in her younger days. But I was really quite shocked the other day—for Mr. Knightley called one morning, and Jane was eating these apples, and we talked about them and said how much she enjoyed them, and he asked whether we were not got to the end of our stock. ‘I am sure you must be,’ said he, ‘and I will send you another supply; for I have a great many more than I can ever use. William Larkins let me keep a larger quantity than usual this year. I will send you some more, before they get good for nothing.’ . . . ‘However, the very same evening William Larkins came over with a large basket of apples, the same sort of apples, a bushel at least, and I was very much obliged. . . . I found afterwards from Patty, that William said it was all the apples of that sort his master had; he had brought them all—and now his master had not one left to bake or boil. William did not seem to mind it himself, he was so pleased to think his master had sold so many; for William, you know, thinks more of his master’s profit than any thing; but Mrs. Hodges, he said, was quite displeased at their being all sent away. She could not bear that her master should not be able to have another apple-tart this spring.” 

Jane Austen, Emma, Vol II, Chap. 9, pp. 256-258

Apples figure prominently in Emma, and, as we can see from Miss Bates narrative above, are mainly connected to Mr. Knightley and his generous gifts of “keeping” apples during winter to the Bates family.  At the end of the 18th century there is a great range of apple varieties (there are 39 apples pictured in Pomona Britannica).  In 1826, there were over 1200 varieties in England (Pellgrü-Gagel), many having more than one name. In the 1700s, botany was still an evolving science and apples were listed by Mawe and Abercrombie (following the Linnæan system of the time) in as a species of the pear genus (Pyrus malus). Now apples are given their own genus, Malus. Mawe and Abercrombie describe apples as “the most valuable fruit in the world for its various economical uses”. They organize their listing of 36 preferred apple varieties (see pictures below) according to when the fruit ripens and then name another 27 varieties of lesser quality that appear in catalogues or for sale through nursery men.  It is likely that Brookshaw organized his plates similarly in order of ripening in Pomona Britannica as the late-ripening Pippins (including aromatic, embroidered, and lemon mentioned by Mawe and Abercrombie) and the Colvilles (both white and red are pictured below) come toward the end of the apple plates.  Many of these specific varieties are listed in Abercrombie and Mawe as ripening in October and keeping over the winter.  Since there are so many varieties of apples that ripen in fall and keep over the winter, it makes sense that Jane Austen would be vague about what specific apple is gifted to the Bates family by Mr. Knightley.

Jane Austen enjoyed eating fruits and mentions gardens, plants, and fruits frequently in her letters. She says she had strawberries three times while at her brother Edward’s estate, Godmersham, and hopes that Cassandra is gathering them at home in Southampton (20 June – 22 June, 1808). When she still lived in Steventon, she wrote about the possibility of their planting apple, pear, and cherry trees (20-21 November 1800). It is amazing to see these detailed pictures of fruits that would have been known to Jane Austen.  We will continue to present more Austen-connected plates from Pomona Britannica in future blogs.  I appreciate that we can read digital copies of historical botany and gardening books and I highly recommend finding a copy of the Taschen edition of Pomona Britannica if you enjoy Regency-era gardening books.


[i] See the pictures for the Brookshaw dedication compared to Jane Austen’s dedication of Emma to the Prince Regent.  Note that she is not a “devoted” servant.

[ii] The New York Public Library has digital copies of every plate available for free download.  Several of the plates were downloaded for use here (see works cited at the end).  The color of the digital copies of the plates was edited and enhanced to come closer to the color of the plates in the 2002 Taschen version. Because the Taschen book is printed on high quality paper, there is considerable reflection and it is hard to get a good photograph of the pages. The header image is a detail from the Taschen book.

[iii] Information in this paragraph is drawn from Uta Pellgrü-Gagel, “Pomona Britannica: A Masterpiece of Pomology”, translated by Ann Hentschel (2002). In George Brookshaw Pomona Britannica: The Complete Plates, Koln, Germany:Taschen.

Works Cited

1. Austen, Jane Emma Eds. Richard Cronin and Dorothy McMillan. Cambridge: CUP, 2005.

2. Mawe, Thomas, and Abercrombie, John. The Universal Gardener and Botanist: Or, A General Dictionary of Gardening and Botany. Exhibiting in Botanical Arrangement, According to the Linnæan System, Every Tree, Shrub, and Herbaceous Plant, that Merit Culture, Either for Use, Ornament, Or Curiosity in Every Department of Gardening … Together with Practical Directions for Performing the Various Mechanical Operations of Gardening in General. United Kingdom, G. Robinson, 1778. (version from The Ohio State University)

3. Pellgrü-Gagel, Uta. “Pomona Britannica: A Masterpiece of Pomology”, translated by Ann Hentschel (2002). In George Brookshaw Pomona Britannica: The Complete Plates, Koln, Germany: Taschen.

4. Rare Book Division, The New York Public Library. “Strawberry varieties: Hoboy – Chili strawberry – Scarlet-Alpine – Scarlet-flesh pine.” The New York Public Library Digital Collections. 1812.

5. Rare Book Division, The New York Public Library. “Wood strawberry – The new early prolific strawberry – White Alpine.” The New York Public Library Digital Collections. 1812.

6. Rare Book Division, The New York Public Library. “Black currant – Dutch red and white currants.” The New York Public Library Digital Collections. 1812.

7. Rare Book Division, The New York Public Library. “May-Duke, the White and Black-heart Cherries.” The New York Public Library Digital Collections. 1812.

8. Rare Book Division, The New York Public Library. “Apples (Robertson’s, Blanchard’s, Rasberry, Lemon, Aromatic. Fern’s, Embroidered and the Spitsburgh Pippins).” The New York Public Library Digital Collections. 1812.

9. Rare Book Division, The New York Public Library. “Apples (White Colville, Red Colville, Norfolk Beefin, Norfolk paradise, Norfolk storing varieties).” The New York Public Library Digital Collections. 1812.

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Increasing Your Daily Joy with Jane Austen

“As Many Holds Upon Happiness as Possible”:

Increasing Your Daily Joy with Jane Austen

Michele Larrow, Regional Co-Coordinator

In January of this year (2022), our region created and hosted an “Eat. Read. Love.” scavenger hunt on Zoom as part of our celebration of Jane Austen’s December birthday.  We had people attend from all over the country and a few other countries.  The three categories were food and drink in the novels; books related to Jane Austen, examples of the novels, and reading mentioned in the novels; and items displaying our love for Jane Austen, the Regency era, and the video/film adaptations.  I was struck by how much joy attendees had in sharing their Jane Austen-related items with others and the variety of ways we proclaim our love of Jane Austen.

I will discuss how to be a bit more intentional and mindful throughout our day in using our Jane Austen love to increase joy.  Some of these suggestions might be things that you already do, and my hope is that doing them more intentionally will help you feel more joyful.

Take a breath and smile when you see anything related to Jane Austen.   Most of us have Jane Austen mugs, or pictures, or figures.  When you use or see something that is Jane Austen-related, take a breath in, smile, and think about a specific scene or quotation that makes you feel good.  For example, I have three bone china mugs that I use with my morning tea with botanical pictures of apples, peaches, and cherries.  Apples remind me of Mr. Knightley and Donwell Abbey (big smile), peaches remind me of Mr. Darcy and Pemberly (when Lizzy and Mrs. Gardiner visit with Georgiana), and cherries are mentioned by Mrs. Elton during the strawberry picking monologue in Emma (I always smile because of the genius of how Austen portrays Mrs. Elton’s speech). Using bone china also connects me to Jane Austen’s time (although it is not Wedgwood or Staffordshire).  Have Jane Austen items in places where you can see them throughout your day to frequently have that pause and smile. 

Connect Jane Austen to something else you love.  I work as a psychologist at a university counseling center.  We are privileged to work with students from all cultural backgrounds and all gender identity and sexual orientations.  I have a large “More Pride, Less Prejudice” graphic in my office (see below) that was designed by Georgie Castilla of Duniath Comics  I also ordered some of Georgie’s P&P stickers and brought them into work to share with my co-workers and the graduate student trainees.  Thirty stickers were gone in no time and even the “big boss” wanted one.  It is so neat to see the stickers around the center, and I feel happy to have spread some Jane Austen and Pride joy!

Do some GIF therapy.  My favorite GIF is the “Knightly Approves” GIF.  I laugh every time I see it and it has become a running joke with a small group of other Mr. Knightley fans on our region’s Facebook page.  Our region officers also love a good Clueless GIF (“As if!”).  When I see a GIF, I have associations to the work it is from, which brings more happiness.  Take some time each day for a little GIF therapy.  [Also, my computer friends want me to note that it is pronounced “jif”, like the peanut butter, according to the late Steve Wilhite, the GIF creator.]  Another alternative is to find video clips of the TV show/movie adaptations you like on a video platform when you don’t have time to watch a whole movie or TV episode. Knightley Approves: and Cher, “As If”:

Wear your Jane Austen colors.  We can’t always wear our Jane Austen t-shirts or Regency togs, to work for example (darn professional standards!).  We can pick colors to wear that we associate with specific characters or film adaptations.  I have several Cher-yellow (Clueless) items that make me extra happy when I wear them.  See if you can make Jane Austen associations to the colors of clothes you own—Captain Wentworth navy blue, Lizzy (2005) loden green, Emma (2009) pink, Catherine or Fanny white (preferably in muslin with glossy spots), Elinor (2008) muted lavender, Marianne (1995) ice blue, Darcy black, etc.  I also have a pashmina scarf that I bought at an AGM that I have taken to wearing in the winter instead of packing it away in the cedar chest.  I call it my “Pride and Prejudice Peacock Edition” shawl and very much feel like a Regency woman when I wear it.

If it fits with your space and your budget, get the DELUXE edition!  I have several versions of most of the novels and enjoy reading the notes in annotated editions.  I bought Bharat Tandon’s edited Emma: An Annotated Edition (2012, Belknap Press of Harvard University Press) a couple of years ago and recently bought the Robert Morrison’s edited Persuasion: An Annotated Edition (2011, Belknap Press of Harvard University Press) and the Patricia Meyer Spacks’s edited Pride and Prejudice: An Annotated Edition (2010, Belknap Press of Harvard University Press).  They are each such beautiful editions with excellent annotations and pictures.  It is a pleasure to hold them and feel their heft.  I plan to get the Belknap editions of Sense and Sensibility, Mansfield Park, and Northanger Abbey soon.

I hope that these suggestions seem doable.  The main point about each is being intentional as you interact with objects you already have in order to take a minute to let the positive emotions associated with Jane Austen create joy in your day.  Leave a comment if you have another way you bring Jane Austen joy into your day.

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The Other Bennet Sister Review

Review: The Other Bennet Sister

By Janice Hadlow, Henry Holt and Company (2020) 463 Pages

Reviewed by Charles Pierce, Eastern WA/Northern ID Region member

The Other Bennet Sister is more of a companion read to Jane Austen’s Pride & Prejudice (P&P) rather than a retelling. Hadlow’s four-part novel chronicles the story of little-known Mary Bennet, one of five Bennet sisters in Austen’s Pride & Prejudice. Part one of The Other Bennet Sister does retell, in part, Austen’s P&P but from the perspective of enigmatical Mary Bennet, beginning as a young girl to her eighteenth year when the arrival of Charles Bingley and his sisters to Netherfield disrupt small-town life in Hertfordshire County. Mary learns at a young age of her insignificance as plain looking, unlike her four sisters who are considered beauties. She is neither her father or mother’s favorite as she lacks beauty, charm, and wit. Mrs. Bennet does not fail to constantly remind Mary of her disagreeable appearance growing up in a household of four beauties. Early on Mary begins to realize that she must compensate for her deficiency in appearance, charm, and wit by distinguishing herself through some other means. Study and music, she determines is her avenue to gain attention and her mother’s affection. Parts two, three, and four depicts Mary Bennet’s own story after the death of her father.

Mr. Bennet dies not long after Elizabeth Bennet marries Mr. Darcy and Jane Bennet marries Charles Bingley; thus, forcing the remaining women of Longbourn out of their life-long home as Mr. and Mrs. Collin’s take advantage of the entail and move in. Mary begins her struggle to find comfort in a new home. Her first option is to move in with the Bingleys along with her mother. Here she encounters continued disparagement from her mother, and subsequently is in frequent company of Miss Caroline Bingley whose verbal abuse of Mary inflicts grief. Mary’s threshold of disparagement and verbal abuse is exhausted. She now accepts her sister Mrs. Darcy’s, invitation to make Pemberly her home. Arriving at Pemberly Mary finds Mr. Darcy and his sister are not at home, allowing for Mary and Lizzy time spent together reinvigorating their sisterly bond. This connection and bond quickly changes upon the return of the Darcys as Lizzy gives her full attention to Mr. Darcy and his sister, leaving Mary to believe herself an outsider.

Mary accepts an invitation from Charlotte Collins to visit Longbourn. All is initially well at the Collins’s until Mrs. Collins begins to notice that Mary and Mr. Collins have developed a close friendship. Jealousy ensues. Charlotte begins to appear affable toward Mary. Mary understands this is likely from Charlotte’s misinterpretation of her and Mr. Collins’ time spent together. Mary abruptly severs her frequent interaction with Mr. Collins in an effort to placate Charlotte. Charlotte’s demeanor towards Mary softens, but she implies that Mary’s time to depart is nearing.

Mary contemplates her limited options. How about her Aunt and Uncle Gardiner in London, she asks? Lizzy and Jane were frequently invited to visit the Gardiners at their home in London, so why not her? The Gardiners response to Mary’s request for a visit was enthusiastic. Mary, once again, is on her way to another prospective home. Mary blooms under the loving care of her Aunt Gardiner who manifests the affection towards Mary that she never received from her own mother. Mrs. Gardiner delicately schools Mary on dress, appearance, and proper conversation. This affectionate guidance galvanizes a transformation of Mary into an attractive young woman, bringing potential suitors Mary’s way.

Vacation to the lakes with the Gardiners provides Mary with the pleasure to see new country. A potential suiter for Mary, a distant relation of Mrs. Gardiner’s, is to follow them to the Lakes. Mary is most ecstatic to continue this association. A few days after their arrival to the lakes and enjoyment in each other’s company, another young potential suiter, who is connected with Miss Bingley, and Miss Bingley also, arrives to enjoy the lakes and Mary’s company. Once again, the verbal abuse begins. How does Mary cope? Read the book.

As one who is considerably biased in favor of P&P and Lizzy Bennet (now Mrs. Darcy), I found the portrayal of Pemberley in The Other Bennet Sister a bit unsettling, if not disagreeable. Lizzy and Mr. Darcy’s transformation in P&P significantly enhanced their ability to comprehend the sensitivity of others. Of all Jane Austen’s characters, Mr. Darcy underwent the most significant and radical transformation. The narrative that the Darcys would dismiss Mary’s presence and not ensure she was welcomed in their activities fail to recognize this transformation experienced by Lizzy and Mr. Darcy. The Darcys would have easily recognized Mary’s unhappy state, and engender comfort and welcome to Mary, involving her in the family’s pursuits. And, Caroline Bingley’s ending was impractical. Miss Bingley would never give Lizzy Darcy the satisfaction that she has sunk in her esteem, and thus would not abscond no matter how desperate she is for marriage.

The development of Mary’s character, her struggles in finding a home, and interacting with old and new acquaintances is well formulated. Hadlow illustrates Mary’s early persona as that of one whose air is pedantic and somewhat vain in her attempt to overcome plainness of appearance to convey that of one who is accomplished, then superbly develops Mary’s evolving transformation into an attractive young woman whose confidence and comfort in who she has become brings happiness and romance.

At 463 pages The Other Bennet Sister does drag a bit at times; however, the narrative still flows skillfully and provides for an interesting and worthwhile read. While no book, in this reviewer’s mind, is a peer to Jane Austen’s written works—dialogue, wit, narrative, etc.—this book is in keeping of Jane Austen’s style of writing. I consider a novel’s worth based on whether it compels one to re-read. The Other Bennet Sister is well worthy of re-reading. Lastly, a question the reader must ask at conclusion of this read is: Has Mary’s story actually concluded, or is a continuation forthcoming?

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Tea with Miss Austen Mouse: “Pride and Prejudice” Discussion

by Cassandra Bates, Region Treasurer

I was fortunate enough to be able to take tea with my dear friend Miss Austen Mouse this past week. With the upcoming regional discussion of Pride and Prejudice we both thought having a lively discussion of one of the most loved novels of Jane Austen fitting.

As we sat in Miss Austen Mouse’s parlor sipping a lovely new English Breakfast blend and snacking on wonderful scones, we began our discussion of all things Pride and Prejudice. I opened with two words: Mr. Darcy. My friend’s response to my utter shock, was “Yes, and what of the man, I see nothing outstanding about him”.  To this, once dear reader, I composed myself, I responded with: This is a character so deeply affected by a woman as well as his societal obligations and yet so socially awkward and shy that you cannot help but feel for him in all situations. (Dear reader, did I not preface this by telling you we had a lively discussion?). I understand where my friend was coming from for on the surface, here is a man who was taciturn, conceited, and disdainful and then once he realized his own feelings towards Elizabeth Bennet, and the subsequent loss of a relationship with her, saw the error of his ways, so to speak. However, if one were to dig deeper, it would soon become apparent that although outwardly this is a man in control, inwardly a battle is raging. He does not like to be in large groups, especially of unknown people, he knows his place in society and yet, is drawn to someone societally beneath him as she is his opposite and yet, so much like him. He is rich and handsome, so is at the top of every marrying Mama’s list. He has made himself a walled fortress and, except for those he holds in close regard, does not let anyone in. Along comes Miss Eliza Bennet and throws his world into a tailspin. She is not like any woman of his acquaintance, not swayed by his money, gives her opinion rather decidedly, and calls out his poor behavior. I like to imagine her like a bright light and Darcy stumbles backwards all whilst shielding his eyes yet keeps trying to look. My dear friend, I believe was coming around to my side (and dearest reader, pray forgive my friend); until she mentioned the possibility of what if Miss Elizabeth was not as head strong (or at least outwardly) and was not as put off by his curt behavior, but rather quickly understood, here was a man struggling. Would he have been so taken in my her? Would there even have been an Elizabeth and Darcy story? Or were these two people destined to be together?

Reaching for the tea pot, I had to ask, what makes this story so special that there have been numerous movies, various written variations, published in countless languages and recognized everywhere? Setting aside her tea (I anticipated a very elegant discourse to follow); Miss Austen Mouse informed me that it is because it is the genesis of every romance, every social situation, and every interpersonal exchange. I was taken aback, every, truly not! But my friend explained. If you (forgive the vulgarity, dear reader) strip down the novel unto its very basic parts: boy meets girl, there is a huge miscommunication, boy and girl come to an understanding, boy and girl ride off into the sunset together (I may have indulged on the last part). Throw in some social commentary, awkward family, conflict and a happy ending and you have the making of a pretty good story. Dear reader, might we say every story?

As our time and lively discussion was coming to an end, we both agreed that Pride and Prejudice and Mr. Darcy are both swoon worthy and timeless in every sense and will continue to endure through the ages. If you thought Miss Austen Mouse and I had a lively discourse, please join the region for our very own discussion of Pride and Prejudice on Sunday, March 20th at 2:30 PM Pacific Time. Please register here:

Now, this is not tea with Miss Austen Mouse without a recipe. As she handed me the recipe, Miss Austen Mouse shared, “Tyler Florence is the Charles Bingley of chefs.”

Blueberry Scones with Lemon Glaze by Tyler Florence

Makes 8 scones


2 cups all-purpose flour

1 Tbsp. baking powder

½ tsp. salt

2 Tbsp. sugar

5 Tbsp. unsalted butter, cold, cut in chunks

1 cup fresh blueberries

1 cup heavy cream, plus more for brushing the scones

Lemon Glaze:

½ cup freshly squeezed lemon juice

2 cups confectioners’ sugar, sifted

1 Tbsp. unsalted butter

1 lemon, zest finely grated


Pre-heat the oven to 400 degrees F. Sift together the dry ingredients; the four, baking powder, salt, and sugar. Using 2 forks or a pastry blender, cut in the butter to coat the pieces with the flour. The mixture should look like course crumbs. Fold the blueberries into the batter. Take care not to mash or bruise the blueberries because their strong color will bleed into the dough. Make a well in the center and pour in the heavy cream. Fold everything together just to incorporate; do not overwork the dough.

Press the dough out on a lightly floured surface into a rectangle about 12 by 3 by 1 ¼ inches. Cut the rectangle in half then cut the pieces in half again, giving you 4 (3 inch) squares. Cut the squares in half on the diagonal to give you the classic triangle shape. Place the scones on an ungreased cookie sheet and brush the tops with a little heavy cream. Bake for 15-20 minutes until beautiful and brown. Let the scones cool a bit before you apply the glaze.

You can make the lemon glaze in a double boiler, or for a simpler alternative, you can zap it in the microwave. Mix the lemon juice with the confectioners’ sugar until dissolved in a heatproof bowl over a pot of simmering water for the double-boiler method, or in a microwave-safe bowl. Whisk the butter and the lemon zest. Either nuke the glaze for 30 seconds or continue whisking in the double boiler. Whisk the glaze to smooth out any lumps, then drizzle the glaze over the top of the scones. Let it set a minute before serving.

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Miss Austen Mouse Reviews “Confined with Mr. Darcy”

by Cassandra Bates, Treasurer

The country,” said Darcy, “can in general supply but a few subjects for such a study. In a country neighbourhood you move in a very confined and unvarying society.”

“But people themselves alter so much, that there is something new to be observed in them for ever.”

Darcy and Elizabeth – ‘Pride and Prejudice’ Chapter 9

“Confined with Mr. Darcy” By L.L. Diamond

Another visit to my dear friend Miss Austen Mouse brought about the most enjoyable discussion about a book over many cups of tea and probably just as many cookies. We both stumbled upon a book by the authoress L.L. Diamond titled “Confined with Mr. Darcy”. Dare I say it, as the Pandemic continues, I thought it a wonderful premise, being under lockdown with a Mr. Darcy.

The book is short, coming in at 107 pages, this is more of a novella and was first released in June of 2020 (so right when, in some areas, were under strict lockdown). The length, Miss Austen Mouse and I decided, was perfect for a cozy afternoon with tea and cookies. This story is a modern adaptation of ‘Pride and Prejudice’ and would be taking place after the disastrous proposal at Hunsford. In this story, Elizabeth is a writer (and not just any writer, she writes Regency Romance novels) and Darcy is a publisher, and the disastrous proposal is more of a guy asking a girl out after not so much as showing any interest in her and not being all that nice either (very similar to canon). Darcy then proceeds to ask Elizabeth to Pemberley to spend however long during the lockdown, with the justification that she would be able to go outside and not be as restricted in the country whereas if she stayed in London, she would be. Of course, Jane is now married to Bingley so Darcy also dangles the carrot of being able to see her sister whenever she wants as they will be staying at another cottage on the grounds. Without giving too much away, if you are at all familiar with ‘Pride and Prejudice’ this story is a cozy modern parallel using the pandemic lockdown to mirror regency era lack of easy travel. There is a fair amount of banter and flirting, Georgiana is your typical teenager, who just happens to be a musical proficient, with aspirations of Juilliard, and a cat named Tilney. We do not see Caroline or even Wickham as Darcy is pretty well capable of mucking things up on his own without the help of others.

Overall, a short enjoyable read of a modern version of ‘Pride and Prejudice’ while utilizing the pandemic as a backdrop and finding some positivity while being under lockdown.

And now as the snow is falling, I am dreaming of Summer and Miss Austen Mouse had the perfect tea cookie recipe to share:

Lemon Tea Cookies

From a Spoonful of Flavor:


3 cups all-purpose flour

½ tsp. baking powder

¼ tsp. salt

1 cup unsalted butter, softened

1 cup confectioners’ sugar, plus 2 more cups for rolling

1 egg yolk

¼ cup freshly squeezed lemon juice

1 heaping tablespoon lemon zest

½ tsp. vanilla extract


Preheat the oven to 350°F. Line two baking sheets with parchment paper.

In a small bowl, whisk flour, baking powder and salt; set aside. In the bowl of stand mixer fitted with the paddle attachment, cream the butter and I cup of the sugar until light and fluffy, about 3 minutes. On low speed, mix in the egg yolk, lemon juice, zest and vanilla until incorporated. Add the dry ingredients, mixing on low speed just until combined. If the dough is crumbly, use your hands to knead the dough gently until it comes together and forms a ball. Roll dough into 1” sized balls and place 1” apart on the prepared cookie sheets. Bake for 18 to 20 minutes, or until lightly golden brown.

Remove from the oven and allow to cool slightly. While the cookies are still warm, roll in the remaining 2 cups confectioners’ sugar and place on a wire baking rack to cool completely. Store in an airtight container for up to two weeks.


Christmas Musing with Miss Austen Mouse

by Cassandra Bates, Region Treasurer

With the Holidays approaching and snow falling I decided to take a trip to see my good friend Miss Austen Mouse to discuss what is so magical about this time of year, especially to Jane Austen. We had wonderful gingerbread scones and a nice black tea with a drop of honey and some cream (you must try this combination if you have not had the pleasure).

We started our discussion about winter and what it must have been like during Jane Austen’s time. Cold and everything smelled of smoke, was my opinion; however, Miss Austen Mouse had a different perspective. She agreed that everything smelled of smoke as that was the primary way of heating, but she also focused on the comforting thoughts of foot warmers, wool blankets, hot tea, and family.

Which led us into, what we thought was Jane Austen’s favorite Holiday. We both agreed, Christmas had to be it, being so close to her birthday (December 16th, 1775), she had to enjoy the Holiday immensely. In addition, we both realized that Christmas (or similar Holidays) are mentioned in each of her novels. Who could forget the disaster of a proposal by Mr. Elton to Emma as they traveled home from the Weston’s Christmas Eve dinner? Or how festive (possibly seen as chaotic) the Musgrove’s house was around Christmas time, spawning Lady Russell to remark “I hope I shall remember in future not to call at Uppercross in the Christmas Holiday”. Or even how the Gardiners traveled to Longbourn to spend Christmas with the Bennets “as usual”. But on a more personal note, for Jane Austen, she first met Tom LeFroy around Christmastime and she was also proposed to by Harris Bigg-Wither over the Holiday as well, momentous events to be sure. Miss Austen Mouse did inform me that Regency Christmas was celebrated longer than we do today. Christmas was a season from December 6th (St. Nicolas Day) to Twelfth Night, January 6th, which is also the day that Jane Austen exchanged presents and had a glorious feast and special cake.

As you are celebrating the Holiday however you do, Miss Austen Mouse and I would like to wish you all good tidings and good health this coming New Year. And without further ado, a Miss Austen Mouse post with out a recipe, just would not be a proper post.

Gingerbread Scones

From St. James Tea Room


2 cups all-purpose flour OR 2 cups gluten free flour

1Tbsp. baking powder

½ tsp. Salt

½ cup dark brown sugar, firmly packed

1 ½ tsp. ground ginger

1 tsp. ground cinnamon

1/8 tsp ground cloves

½ cup cold unsalted butter, cut into cubes

1/3 cup buttermilk

1/3 cup unsulfured molasses

1 large egg, lightly beaten

4 pieces candied ginger, cut into 1/8 inch squares

For the Frosting:

2 Tbsp. unsalted butter, softened

1 cup powdered sugar

1 Tbsp. heavy cream + more if needed


Pre-heat oven to 400 °F. Line baking sheet with parchment paper; set aside.

In a large bowl, whisk together the four, baking powder, salt, brown sugar, ginger, cinnamon, and cloves. Using a pastry blender, cut butter into flour mixture until mixture resembles coarse meal.

In a medium bowl, whisk together the buttermilk and molasses. Add buttermilk mixture to the flour mixture and stir until dough is just combined (the dough will be sticky).

Transfer dough to a lightly floured surface and pat to ½ inch thickness. Using a small star cutter, cut out 30 scones, gathering up scrapes and rerolling as necessary.

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Tea with Miss Austen Mouse: What Makes a Good Jane Austen Retelling?

by Cassandra Bates

So many retellings…so little time

It is a truth universally acknowledged that if your favorite author has passed, you will indubitably want more of their works. Enter in the world of Jane Austen Fan Fiction, or JAFF. Later this month our region will be discussing “What makes a good Jane Austen retelling?” So, I decided to take tea with my good friend Miss Austen Mouse and discuss what DOES make a Jane Austen retelling good, and while we are at it ask some the officers of the region what their favorite retelling is.

I met my good friend Miss Austen Mouse in her garden, as the weather was quite delightful. We took tea under a trailing Wisteria, and she provided the most scrumptious tea biscuits. We started our discussion on what makes a Jane Austen retelling good, which really amounted to more questions than answers. What is a Jane Austen retelling, does it have to be in line with her works (canon) or not? What about the storyline can deviate from canon, or does it need to follow the Jane Austen formula? Does it need to be a social commentary, which many of her works are thought to be, or something totally light and easy to read? Can it expand on Jane Austen’s stories, like a continuation of sorts, or does a retelling need to be exactly that, a retelling of her stories? What about time periods, does it need to be set in Regency era, like Austen’s novels, or can it be set in other time periods, could it, gasp, include time travel?

Since it had seemed that we were coming up with more questions than an actual discussion we decided to talk with the officers of the region to see what their favorite Jane Austen retelling is.

We started with Regional Co-Coordinator, Michele Larrow. Michele took to a very contemporary retelling of Jane Austen’s Pride and Prejudice in Soniah Kamal’s Unmarriageable. It tells the tale of a family in Pakistan over the course of a year (2000-2001). Alysba (Alys) Binat [Elizabeth] teaches English literature at a girls’ school in a fictional provincial town (Dilipabad) in Pakistan. Valentine (Val) Darsee [Darcy] meets her first at a wedding of mutual friends and has connections to the school she works at. Michele enjoyed the ways that P&P is transformed to a Muslim Pakistani family.  Alys teaches P&P to her teenage students and asks them to consider how the book’s themes apply to their lives.  Darsee and Alys have great discussions about post-colonial identity, the role of language in personal identity and literature, and the role of women in Pakistani society.  Sherry [Charlotte] gets a bit of a redemption in this telling, having a marriage to Dr. Farhat Kaleen [Mr. Collins] that seems fulfilling for her.  The descriptions of food will have you hungry and Michele has dreams of the rose-flavored rose garden cake that Nona Gardenaar [Mrs. Gardiner] makes for Darsee’s sister Jujeena (Juju).  Through the Qitty character [Kitty], Kamal explores body acceptance and oppressive standards of beauty. Showing the timelessness of P&P, Kamal addresses its themes in near-contemporary Pakistani culture, such as whether unmarried women can have independence, the role of family in our lives, the role money plays in marriage choices, and how challenging it can be to get to know people.  Michele has re-read this book several times with great pleasure!

Debra Peck, Secretary for the region had this to say about the very first continuation of Jane Austen’s novels, Old Friends and New Fancies written by Sybil G. Brinton. The book deals with many of the characters in Jane’s novels who were left without partners at the end of many of her stories. Many of the main characters of all 6 novels are a part of the story, and they all know each other! Lots of matchmaking going on, very entertaining!

Our own Miss Jane, Jane Provinsal, Regional Co-Coordinator, prefers the Southern side to Jane Austen retellings, with the Jane Austen Takes the South series by Mary Jane Hathaway! There are three books (hopefully she writes the other three, pretty please!) and she read book one Pride, Prejudice, and Cheese Grits, and book three Persuasion, Captain Wentworth, and Cracklin Cornbread the last two summers for our region’s Jane Austen July. Hathaway did a beautiful job of taking the essence of Jane’s stories and setting them in the modern South. The plots feel completely new and still wonderfully familiar. She enjoyed connecting characters and scenes with Jane’s novels, but it didn’t feel like someone just copied Jane’s words. Jane’s works and characters are timeless and these books show that so well without losing the charm! Our Jane LOVED that Hathaway included some recipes for dishes included in the books and can’t wait to try them! These books are lovely, fun, and uplifting. 

With such lovely conversations that Miss Austen Mouse and I had with the officers of the region, we were sad that our garden party was at the end, and we still had so much more to discuss about what makes a retelling of Jane Austen good. We hope you will join us for more discussion on September 19th at 2:30 PM (PST) for a continuation of Miss Austen Mouse’s and my discussion on what makes a retelling of Jane Austen good (and what makes one bad, if there is such a one). For more information on joining the discussion and the form to register, please go to our events page

OH, and this would not be a Tea with Miss Austen Mouse without a recipe. Here is the scrumptious tea biscuits she served me under the trailing Wisteria, fit for Royalty!

Balmoral Shortbread (from Her Majesty’s own former personal Chef)


225g (8oz) plain flour

225g (8oz) butter

115g (4oz) icing sugar

115g (4oz) corn flour (corn starch)

1tsp salt

1-2tsp vanilla paste


Preheat oven to 350°F. Add all of the ingredients, except vanilla in a large bowl and work together until it resembles breadcrumbs. Add the vanilla and lightly bring together.

Tip out onto a lightly floured surface and gently knead to form a dough.

Dust a classic Scottish shortbread mold with flour and press the dough into the cavity. Using a sharp knife, trim the top to make a flat surface, alternatively you can use a round cake tin, or roll out and cut fingers or rounds.

Gently turn out the shortbread and place onto a lined baking tray. Using a fork, prick the surface of the shortbread all over and bake in the over for around 20 minutes (you want the shortbread to remain a light sandy color).

Once baked, remove from the oven and, using a sharp knife, score the surface of the shortbread into wedges, this will create a defined break when it comes to portioning. Dust the surface with sugar and leave to cool for 1 hour.

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“Perfect Happiness” on Viewing Four Jane Austen First Editions

A few members of our region had the good fortune to visit the Washington State University (WSU) Manuscripts, Archives, and Special Collections (MASC) room in the library to view four first editions of Mansfield Park, Emma, Northanger Abbey, and Persuasion.  A WSU alum, Lorraine (Kure) Hanaway recently left the first editions to WSU in her will (  Lorraine was one of the founding members of the Jane Austen Society of North America (JASNA) and was a member of the Eastern Pennsylvania region ( Dr. Trevor Bond, Associate Dean for Digital Initiative and Special Collections, and Greg Matthews, Special Collections Librarian at MASC, were our guides for the viewing and arranged all the books that we saw.  I think two themes that shape my reflections on seeing the first editions are:  the importance of preserving and understanding Jane Austen’s early editions and the joy of finding your “small band of true friends” who love Austen. 

Preserving and Understanding Jane Austen’s Early Editions

It seems centrally important to understanding Austen’s works to maintain the volume structure of the novels.  The three volumes structure clearly organizes the novels that were published during Austen’s lifetime.  (Northanger Abbey and Persuasion were published posthumously each as two volumes of a four-volume set so we can’t be sure of author intent in terms of volumes.)  For example, in Mansfield Park at the end of Volume I, the volume ends quite dramatically when Sir Thomas comes home, and his return is announced to those rehearsing the play by an aghast Julia.  While most recent edited editions of the novels preserve the three (or two) volume structure, it is wonderful to actually see the three volumes and think about what it must have been like to read one volume and then be so excited to start the next volume to find out what came next.  In the first editions we also see the ways that the printers kept continuity in the text by printing the first word of the next page at the end of the previous page (aka the “catchword”, see Deb Barnum’s blog on collecting books:  We also can see that not many words are printed on each line, so that the words on one page of a current edition might be spread out over two pages in a first edition (compare the Emma proposal scene in the first edition to the proposal scene in the Penguin edition edited by Juliette Wells, marked in the picture below by blue brackets).  It feels amazing that these volumes from the early 1800s have survived into the 21st century.

Finding Your “Small Band of True Friends”

It was so special to see the first editions with two of our region’s “founding members”.  Vic was at our very first meeting in Pullman in June 2017 and Chuck was at our first tea in Spokane in July 2017.  They both joined JASNA that year and helped our region to be recognized as an official region.  One of the joys of being a regional coordinator is getting to meet new Jane Austen fans in our region in person (such as Deb, who came with Vic) and, through social media and on Zoom, getting to meet people from all over the world who are Janeites. When viewing the first editions I also felt a connection to Lorraine Hanaway, who donated them, although I never had the pleasure of meeting her.  I could imagine her walking around the WSU campus in the late 1940s, thinking about the next edition of the student paper, The Daily Evergreen, in her job as editor.

T to B, L to R: Michele, Chuck, Vic, and Debbie are all smiling widely behind their masks!

The other Janeite I connected with at the MASC was, unexpectedly, Virginia Woolf!  The MASC has a large collection of volumes from Virginia and Leonard Woolf’s personal library (  I knew that Woolf was a big Jane Austen fan.  Trevor Bond and Greg Matthews arranged for us to see the Jane Austen books from the Woolf personal library.  The novels were mainly the “Everyman Library” versions from the early 1900s, although there was a two volume edition of Pride and Prejudice printed in 1817 by Egerton that was given to Virginia Woolf from John Maynard Keynes (the economist, who was also a part of the Bloomsbury group) and signed by him.  I was excited to see first editions of several of the Oxford publications from the 1920s: Lady Susan (pictured), Volume the First, and the final chapters of Persuasion, including the canceled chapter 10.  Another volume was probably quite rare since it said in the volume that only 250 were published:  a special printing of the final chapters of Persuasion printed on handmade paper with a facsimile version of the canceled chapter 10 in Jane Austen’s handwriting (see picture).  Holding volumes that Virginia Woolf held was very special.

It was a dream come true for me to be able to hold some Jane Austen first editions. I need to go back and study the first edition volumes in more detail.  I also want to get a better look at the P&P from 1817 that belonged to Virginia Woolf.  If you live locally and would like to see the volumes, they are available to view when MASC is open.  See for more information about hours and how to access material in the reading room at MASC.

Michele Larrow, Regional Co-Coordinator